Portraits of Young Gustaf - Sepia Saturday 696

Among various photos in an envelope marked "Before 1930" I recently found this childhood portrait of my grandfather Gustaf T. It's one I can't recall ever having seen before - it's not included in his photo albums.

I doubt I would even have recognised this boy as my grandfather if the photo had not been found together with other later photos of him (probably sorted at some point by my father).

Gustaf was born in 1904, and I'm not sure which year this was taken, but this is probably  the earliest photo of him that exists. I don't know the year but I'm guessing ~ 1909. The outfit he's wearing does not look like anything I've ever seen! - but it vaguely reminds me of illustrations of Little Lord Fountleroy (book by Frances Hodgson Burnett from1886...) 

This is where Gustaf grew up though - more like "the little house on the prairie"!

Until I found the portrait at the top, this one was the earliest I had - found in one of my grandmother Sally's albums. A childhood portrait of Gustaf (born 1904) together with my grandmother's brother Nils (born 1902). I'm guessing it may be from Gustaf starting school (1911). - At first, I only recognised Nils in this photo, and had no idea who the other boy was. It was only later that it dawned on me that it must be Gustaf, and that he and Nils had been friends since early childhood.

 

They're also both in this Sunday School photo from 1912. Gustaf (8 years old) is 4th from the left. Nils (10 years old) is 5th from the right (front row).

And this is from the village football (soccer) team, a few years later. Nils is (unmistakably) the tall one in the background (captain/coach?), and Gustaf the one with the "attitude" standing in front of him... 

I remember that it was comparing it to another photo of the two of them as grown up young men that convinced me who was Gustaf in the football photo!

This is another photo from the envelope, which I can't recall having seen in any album. 

I also found two portraits from his military service in 1925:

This I suppose may be the one that he sent to my grandmother Sally in a letter that year. (Referred to in one of her letters to him.)

And this one is glued onto a hard cardboard frame with the embossed text "Memory from my military service".

Linking to Sepia Saturday 696 - Portraits

The Chicago Portraits - Sepia Saturday 695

Among my inherited family photos, there are also some portraits that I don't recognise as "family". Taking a closer look at some of those for this month's Sepia theme (portraits), I noticed a bunch  of rather large ones in paper frames from the early 1900s or so that were from studios in Chicago. This suggested that they must have belonged to my great aunt Gerda (older half-sister to my grandmother Sally), who lived in Chicago c. 1903-1910, working as a maid. So likely to be of people she knew back then... 

For SS 636 (2022-08-27), I wrote a post based on the addresses on postcards sent to Gerda while she lived in Chicago. They show that during the first years she changed employers rather frequently, but from around December 1906 and until she returned to Sweden, she remained living on the same address: 3328 Michigan Avenue. Thanks to the American census of 1910, I also know who she worked for there: A Dr Otto L Schmidt with wife Emma (born Seipp), both of German heritage; at the time with three children in their teens: Ernst, 17, Alma, 15 and Clara, 14. At the time of the census, besides Gerda they also had three more white female servants (from Austria and Germany); plus a 'mulatto' chauffeur with wife and two children. Dr Schmidt was a rather prominent citizen of Chicago, and his wife also belonged to a well-known and wealthy family there. 

At the bottom of this post, you will find an image from the census, plus links to a number of earlier posts where I've written about Gerda and her time in Chicago and with the Schmidt family. 

Anyway - my first thought about the Unknown portraits I was looking at now was that they might be of fellow servants that Gerda had been working with. However, at least one of them did not seem to fit that theory: A child portrait.

 

Putting these two photos side by side, not only do they come from the same studio, and have the same background - but to me, it also looks like the woman and the child may well be mother and daughter. So I'm beginning to wonder if this could actually be Emma Schmidt with one of her daughters (a bit earlier than 1910, as the girl looks younger than 14). 

The double portrait below comes from the same studio but with a different (updated) logo. I also think the two young women look like sisters - and that the one on the left could be an older version of the girl in the portrait above. Could they be Alma and Clara Schmidt? 

Next, a portrait of a young man - not from Chicago, but from Palm Beach, Florida. At first, it made me wonder if there had been a "special man" in Gerda's life during her time in Chicago after all, even though I have not really come across anything else pointing to that.

 

Then I put his photo next to that of the two young women, and now I couldn't help but think I see a family resemblance between all three of them. So what if he's actually Ernst Schmidt?

(Another curious fact, by the way: there are two identical copies of the girls' portrait...)

Trying to verify my guesses, I searched online for photos of the Schmidt family. There are quite a few available at the website of Wisconsin Historical Society, in a collection named "Black Point Estate and Seipp Family Papers". (I.e. Emma's side of the family.) These all seem to be subject to copyright, though, so I won't include any copies here. But here are a few links if you're curious: Ernst in 1912. -  Alma in 1906. - Otto and Emma in 1891.

There are no copies of the same portraits that I have though - so hard to be sure. (Btw, searching for photos of this family, it's also rather confusing that they seemed to like naming their offspring after close relatives... Emmas daughters, for example, were named after her own two sisters, also called Alma and Clara.)

For now, I will assume that the portraits above are indeed of Emma Schmidt and her children. Maybe some day I'll get it either confirmed or disproved - that has happened before with theories I've come up with in this blog!  

Then there was this portrait below, which seemed somehow familiar... But where from??

It hit me after a while that she must be the woman 2nd from the left in the photo below, standing next to Gerda (in the middle). And this (I have concluded earlier) must be from the Seipp/Schmidt families' summer residence(s) at Lake Geneva - probably a group photo of staff from at least two households, "joining forces" while there.

 

I think she's also the friend posing together with Gerda in the studio photo below; which makes me assume that she too was a servant in the Schmidt family household in Chicago. Probably one of the two from Austria - but whether Maria or Amalia, I dare not guess. (Both a little older than Gerda, according to the census of 1910.)

And at last, below, two more Unknown photos. They look to me like they could be one and the same woman, though, even if I don't know her name. Unless something turns up to provide more clues, I'll assume her to be another servant colleague of Gerda's. (The portrait to the left is from Rockford, Illinois - so could be someone she worked with for a while in Chicago, but who either came from, or moved on to, Rockford.)

The 1910 census from 3328 Michigan Avenue (the handwriting a challenge!)

Links to previous "related" posts of mine about Gerda, the Schmidt family, and Chicago:

1910 US Population Census (2012-08-31)

Otto L. Schmidt, Gerda’s employer in Chigaco 1910 (2012-09-03)

The 1933 Chicago World's Fair (2012-09-04)

***Lake Geneva (2021-04-24) (where the family had their summer residence)

Changing My Theory About a Photo (2021-05-08)

Chicago Then and Now (2022-08-27)

Linking to Sepia Saturday 695

 "head and shoulder portraits"

Family Portraits - Sepia Saturday 694

This portrait of  my great grandfather Samuel, born 1835, is the only one of him that exists. The sign he is holding says "Lord, increase our faith". Back in childhood I always wondered why, and I can't recall anyone ever explaining. (Possibly they did not know either.) He was a farmer and a merchant; not a clergyman. However (thanks to research done by one of my dad's cousins), much later I learned that Samuel was involved in the founding of a local free church in 1884. Then he was 49 years old, which seems to fit with this photo.

Back then, he was still married to his first wife, Anna Sophia. She died in 1894. (There is no photo of her.) Together they had 9 children, born between 1866-84. Two died in childhood, and another (at age 31) in 1899, before my own grandmother was born.

In 1898, Samuel got remarried to my great grandmother, Selma (born 1861);  she also a widow, with a young daughter. There is no wedding photo or other portrait of Samuel and Selma together either.

This photo of Selma is probably from her first marriage - or even earlier. Her first husband was younger than her; but died when their daughter Hildur was only two years old.

Together, Samuel and Selma got two more children: my grandmother Sally (born 1900) and her brother Nils (born 1902). Samuel died in 1907 (72 years old) and then Selma was a widow again, now with three young children. She did not get married again, but remained living on the farm with her step-son Carl (single), who had taken over the running of the farm already around 1903/4.  

In the census of 1910, two separate households are listed for the farm: Selma and her children (probably at the time living in a separate cottage) counted as one family; and Carl, his brother Gustaf (recently returned from eight years in America) and their sister Ester (housekeeping for them) as another. Later on, it seems that Carl, his stepmother and her children all lived together in the farmhouse, though. 

Selma (born 1861) and her sister Ida (born 1865). Not sure which year, but my guess is c. 1917. 

Ida and her husband Gustav  in 1908
(the year actually printed on the photo!)

 

My grandmother Sally (born 1900) and her half-sister Hildur (born 1892 in Selma's first marriage). Same studio background as in the photo of Selma and Ida. Could be from the same occasion.

Hildur, Selma and Sally, around the same time as well. (Compare Hildur's bow tie here to the one Ida is wearing in the first portrait.)

Another studio portrait of Sally and Hildur
 - a few years later, I think.

Sally's half sisters on her father's side, Ester (born 1876) and Gerda (born 1881). Must be from before Gerda emigrated to America - 1902 or earlier.

Ester, a bit later in life (year unknown)

▲Gerda with a friend, from Chicago (1902-1910)▼
LEFT: Gerda to the right - RIGHT: Gerda to the left

Gerda returned to Sweden in 1910/11, but soon went abroad again.

Gerda in Lyon, France, 1913 (or 15?)

Hildur, Gerda and Sally. My guess is that this was taken on Gerda's return from France in 1919 - after the end of WWII.

Gustaf, born 1878, also emigrated to America in 1902, and returned in 1910. The portrait above is from Port Allegany, probably 1903. The photo below is one I just recently found and realised that it must be Gustaf to the right. It's printed on American postcard paper (but not written on) so I'm guessing that it must be from his later years in America. I don't know who the other two men are.

Once back in Sweden, Gustaf did not go abroad again. He helped out on the family farm for a while; then moved away to work elsewhere in Sweden (also with farm work); then returned again to help out at the family farm - and took over when his older brother Carl died in 1928. But I think the farm was sold after Sally, Nils and Hildur all got married and moved away - to do with distribution of inheritance.

Carl, Selma, Hildur and Sally 

Hildur, Selma and Sally, probably summer 1930

Nils, Sally and Selma

("when big hats were the fashion")

Linking to Sepia Saturday 694 - Portraits

Mysterious Girl with Moustache - Sepia Saturday 693

The Sepia Saturday October theme of Portraits gives me an opportunity to repeat another early post from this blog, with an old postcard that I still find very intriguing.

G.001-3 – Girl with Moustache 

Previously posted on this blog 2012-02-17

A postcard sent to Gustaf at Odensberg in 1901, while he was staying with his brother Oscar. (Cf. my post for SS 690. Before he emigrated to America in 1902, Gustaf seems to have alternated between staying with his father at his farm, vs with his brother who was running a country store at Odensberg.)

The postmark PKXP indicates a railway line and a locality along that line. In the early days, post was sorted aboard the trains.

 

The second printed line on the back of the card (Bostad - om den kan uppgifvas)  indicates that this space is set aside for the recipient's residential address – “if it can be given". Most people probably had to collect their post at the nearest post office, railway station or village shop.

The message is rather mysterious. Besides the moustache and beard added to the image, the message is written in incomplete sentences and using abbreviations ("text message" style of 100 years ago?). The last sentence is also written upside-down; and the sender is anonymous. But this is how I read it:

"Undrar hur Ni befinner Er. Hoppas inte som - hjärtligt tack därför i alla fall - i för. vk. [= i förra veckan] Jag har f.n. tandvärk o är mycket retlig."

“I wonder how you are. Hope not like  - many thanks for that anyway -  last week. I am currently having a toothache, and am very irritable.”  

My guess is that sender and receiver had been "up to something" together the week before, which probably made the message easier to interpret for Gustaf than it is for us, 120+ years later.

The sender has also given the young lady in the picture an ink moustache and beard - in the same way one sometimes sees it done to Da Vinci’s Mona Lisa. 

The remarkable thing is that when I checked, I found that the most famous parody of Mona Lisa with moustache and beard (L.H.O.O.Q by Marcel Duchamp) was not made until 1919. But this postcard was sent in 1901... 

Marcel Duchamp, 1919, L.H.O.O.Q

I also noticed one more thing on "my" postcard: An ink line drawn across one of the girl's fingers, which makes it look like she's wearing a ring. (It's on her right hand, while an engagement ring would normally be worn on the left hand - but still...) 

If anyone has come across similar parody images from before 1919, I'd be interested to learn about it!

Linking to Sepia Saturday 693 - Portraits